by Joe Bunting |
How do good stories end? In tragedy or triumph? With a wedding or a funeral?
That is the question of the denouement, a literary term that means more than just “the end.”
This article is all about denouement. In it, we will talk about the origin and definition of the literary term, give examples, and talk about where it fits in your writing.
by Joe Bunting |
How do you tell a great story? Perhaps the best way to judge a story is by how good the climax is.
If your story isn’t good, the climax will be muddled or boring. A good story, though, will bring together all the tension that has been building since the exposition into one perfect scene that overwhelms the audience and leaves them in awe.
What is the climax, though? And how do you write a good one?
by Joe Bunting |
So you wrote a story or a novel or a book. You’re proud. You’re excited. Visions of publishing dance in your head. Then you go back and read your story or novel or book, and you think, “Well, this is good and I feel proud of it. But it doesn’t match up to the stories/novels/books I know and love.”
You wrote a GOOD story, but not a GREAT one. Worse, you don’t know why. It might be that you’re missing a crisis.
by J. D. Edwin |
The best way to immerse your readers in your fantasy story is through world-building, which can be an arduous and intimidating process. After all, to create an entire world is no easy task.
But what if you don’t want to spend a lot of time world-building? The key lies in lore. Lore is defined as “a body of traditions and knowledge on a subject or held by a particular group, typically passed from person to person by word of mouth.”
by Emily Wenstrom |
I love Halloween. The creepy movies, the crisp fall air, the pumpkins. And who doesn’t love to get dressed up and hit the town for night? But there’s nothing like a horrifying story to get in your head—and get you in the spirit.
What makes a good scary story? Here’s a few pointers on how to write a scary story to start you off in the right direction.
by Ruthanne Reid |
People are complicated. I know, that’s like saying, “Hey, fire is hot!” but when it comes to characterization, this needs to be said. Our tendency as authors is to stick imaginary people into tiny two-dimensional categories, forgetting that no human being fits into tiny two-dimensional categories.
One of the things that makes humans so confounded complicated is we are not logical.