At the opening of Odyssey, Homer appealed to his muse for the inspiration to tell his story. Shakespeare did the same thing in a number of his plays. Let’s face it, when it comes to art, inspiration is the queen on high.
Leads, nut grafs, and the infamous six W’s—who/what/when/where/why and how—set the everyday newsflash apart from creative work. Or do they?
Let’s look at a comparison…
In just a week we will be saying goodbye to Paris and go to Florence and finally Rome and arrive back in the States May 1.
One of my Paris adventures was to paint a “masterpiece” and then try to sell it on the street. While I’m nowhere near talented enough to paint an actual masterpiece, I reached out to local artist Pauline Fraisse who agreed to help me with my painting, and over a few days in the Luxembourg Gardens and the Marais, I managed to paint something that wasn’t terrible.
What I found fascinating about working with Pauline was how many parallels her painting process had with writing. As she taught me to be a better painter, I found I was learning to be a better writer as well.
Right now, I’m reading Tim O’Brien’s Tomcat In Love, which, in a nutshell, is about a middle-aged linguistics professor in Minnesota who is trying to win his ex-wife back by sabotaging her new marriage. He’s also quite possibly a crazy person…
You’ve finished that manuscript, the one that’s going to change the world. Now what?
Well, if you’re looking at going down the traditional publishing route, it’s time to submit your work to potential agents. However, you don’t get to send your entire book. No, you only have one page to draw them in—the dreaded query letter.
Paris has always been an inspiration for writers and artists. I’ve been here for a month, now, and I’m certainly not lacking in inspiration. However, you don’t have to go to Paris to get the gift the city has to offer. Here’s what I’ve learned about writing from living in Paris.
