At The Write Practice, we publish a new article each day designed to help writers tackle one part of their writing journey, from generating ideas to grammar to writing and publishing your first book. Each article has a short practice exercise at the end to help you immediately put your learning to use.
Check out the latest articles below or find ones that match your interest in the sidebar.
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If you’ve spent much time around The Write Practice, you’ve probably noticed that we love writing contests. Our mission is to help writers grow, and there’s no better way to practice your craft than by entering a writing contest.
That’s why we’re excited to give three lucky writers free entry to our Fall Writing Contest!
Hooray! You finished writing your book! Take a moment to revel in the satisfaction, but as you slide down from cloud nine, you’ll notice a slate full of new tasks waiting — editing, revisions, proofreading, formatting, marketing, and more. It's time to figure out how...
Everyone loves a good mash-up. Taking two (or more) different songs and seamlessly blending them together to create an entirely new song turns old music into something fresh and exciting. The same thing goes for novels. If you take old concepts and mix them together, you can write something worth raving about.
If you write long enough, at some point you are going to experience a lag in productivity. Whether you call it “writer’s block” or “resistance” or just “a slump,” the moment will come when you struggle to put words on the page, and you just can’t find motivation to write through the struggle.
One way to overcome that lag is to lean into what motivates you. Do you know why you write?
I subscribe to several writing web and blog sites. I trust them to give me sound writing advice. But sometimes the sheer volume of advice engulfs me, and I feel like I’m in the middle of a tidal wave.
Being overwhelmed can lead to creative paralysis. I work myself into a frenzy trying to apply everything to all my writing right now. Or, I close the computer or put down my pen and count the leaves on my philodendron plant. Neither approach is helpful.
With so much useful writing advice, how do you know where to start?
It’s your dream to publish and sell a book. Thankfully, there’s never been a better time to do it, as all the tools you could possibly require are at your fingertips. And the best news is that many of them don’t cost a penny, allowing you to publish, market, and sell your book for free! All you have to do is figure out how to sell books.
Of course, what you don’t pay in cash you will be paying in gumption. As with any publishing route, there are pros and cons to using mostly free resources, and I’ll illustrate those as we go so hopefully you can avoid some of the mistakes I made in my own free publishing journey.
The Summer Writing Contest stories are in! Now it’s your turn to vote for your favorite to win the Readers’ Choice Award.
One of the great benefits a traditional publisher brings to the relationship is a network of agents and bookstores designed for the purpose of selling books. Like sailing a small boat into the ocean, without that pre-established network, self-publishing is scary. When we are first drifting into open waters, there is so much we don’t know.
Here is the good news: It is possible to sell books without a publisher. You just have to learn how.
Do you sit down to write and it seems like a million thoughts are dancing in your head? You know, they’re just there having a loud obnoxious party. With all those bouncing thoughts, it’s hard to focus on writing. To combat those mental distractions, try a daily writing habit of Ray Bradbury’s.
According to James Scott Bell, the fastest way to improve any manuscript is by learning to write dazzling dialogue. Nothing grabs and holds reader attention like well-written dialogue, but how do you do it?
There are a lot of pitfalls to watch out for when it comes to using dialogue in your writing. Whether you’ve given this a lot of thought, or none at all, the subject bears exploring. Let’s take a look at six hazards to be wary of, and what you can do about them to make your dialogue more engaging.
