One reason some stories feel flat is because they are missing the cause and effect story elements that push life (and narratives!) forward. How can you maximize cause and effect in your stories?

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One reason some stories feel flat is because they are missing the cause and effect story elements that push life (and narratives!) forward. How can you maximize cause and effect in your stories?
So you wrote a story or a novel or a book. You’re proud. You’re excited. Visions of publishing dance in your head. Then you go back and read your story or novel or book, and you think, “Well, this is good and I feel proud of it. But it doesn’t match up to the stories/novels/books I know and love.”
You wrote a GOOD story, but not a GREAT one. Worse, you don’t know why. It might be that you’re missing a crisis.
Everyone loves a success story, especially when it results from years of hard work and the protagonist has struggled from the depths of despair. This story type is so beloved, that it is Charles Booker’s second plot type of seven: Rags to Riches.
What do Aesop’s Fables, the Oxford English Dictionary, the Encyclopedia Britannica, Grimm’s Fairy Tales, a science textbook, and an instruction manual have in common?
They are all didactic literature. But what is didactic literature? And is it still relevant? Let’s take a look.
December is an opportunity to finish the year strong, to celebrate the year past, and set a new course for the coming year. Try a prompt each day this month and see what you discover!
With so many MasterClass courses available, which ones are worth your time? Here at The Write Practice, we’re attending and reviewing each author’s MasterClass to help you decide whether it’s the class for you.
If you’ve ever told a good story—one that has your friends or family on the floor laughing, or else on the edge of their seat asking, “What happened next?!”—then you know that you can’t get to the point of the story too quickly.
Instead, you draw out interest. You talk about all the things that went wrong. You make jokes and accentuate the best details. When you’re done, it’s not the punchline people remember; it’s everything leading up to it.
The same is true when you’re writing a story, particularly in novels, memoirs, and screenplays. It’s called the Rising Action, and it’s essential to get it right IF you want to write entertaining, informative, and deeply connecting stories.
In this article, I’m going to talk about the rising action: what it is, how it works in a story, how it’s been treated by scholars who study story structure throughout history, and finally how you can use it to write a great story.
Looking for a gift for a writer in your life? Or maybe a deal on the best tools and courses for writers? This Black Friday, we’ve rounded up dozens of deals from around the internet to help you find the perfect gift for your writer friend (or yourself!).
Finding the right gifts for writers in your life can be challenging. After all, what do you get people who spend so much time living in their own heads and imaginations.
It’s even worse if you’re the writer! What do you tell people to get you for Christmas gifts, birthday presents, and other holidays?
But don’t worry friends. We’ve got you covered with over 100 of the best gifts for writers ever. We’ve got writing software gifts, writing apparel gifts, writing book gifts, and even the best book writing planner money can buy.
Let’s get gifting, shall we?
Christopher Booker published The Seven Basic Plots in 2004, and he argues that all stories told in any medium can be categorized into one of seven archetypes. Today, we’re covering the first plot: Overcoming the Monster. Read on to see if this archetype can help you write a better story.