by Sue Weems |
Fill in the blank: I can’t finish my draft because _______. Are you sure that is what is holding you back?
This is one of the busiest months of the year for me. I’m usually disciplined, but there are some especially busy seasons when writing is hard to prioritize. As one of my classes began reading Fahrenheit 451 this month, I remembered a letter Ray Bradbury sent to a librarian about how he wrote the novel. It was just what I needed to get back to finishing my book.
by Guest Blogger |
It can feel impossible to know where to start writing. We can become paralyzed by fear, worrying our words will offend or bore readers, or worse, that we’ll never have any readers at all. In order to move past these feelings, we have to overcome perfectionism.
That’s easier said than done, but these three strategies make all the difference.
by David Safford |
Have you participated in a writing challenge like NaNoWriMo or our 7 Day Creative Writing Challenge? Congratulations! Whether you met your goal or didn’t quite make it, you’ve written words that weren’t there before.
Now, don’t let all your hard work go to waste. It’s critical that you capitalize on your momentum before it slips away.
by Sue Weems |
Authors often get asked where they get their story ideas. It’s one of the most common questions my student writers wish they could ask their writing heroes. They think, “If I could just find a way to come up with the next best-selling story idea like [insert famous author], then I’ll make it as a writer!”
But they misunderstand one critical truth: the magic isn’t in the ideas. It’s in the execution. We need the ideas to get started, but many writers don’t have a system for capturing the ideas around them daily, and they don’t develop ideas consistently in practice.
We all have files full of unfinished projects and story ideas spread across notebooks and online platforms. Why do ideas lose their luster the moment we start writing them?
by Guest Blogger |
Every time we sit down to write, our mood and state of mind affect our words. We infuse, to some extent, everything we write with our unique “voice.” Our emotions come through on the page.
When we’re struggling to eke out even a few words and make sense of our writing, it shows in our work. Our characters are flat. Our scenes are dull and passive. Our plot is thin and weak. Nothing we try fixes the problems. Or, maybe words don’t come at all.
We may declare that we have a case of writer’s block, particularly if we’ve wrestled with the vexation for weeks or months. But, there may be a stronger and more insidious obstacle: shame.
