English is full of words that seem the same, but have subtle differences in their spelling and usage. These tricky words seem designed specifically to trip you up. Recently, we tackled ensure vs. insure. Today, let’s take on another vocabulary conundrum: upwards or upward? Toward or towards?
Or does it even matter?
In real life, some folks love surprises and others hate them. But one thing is certain—in fiction, you need them to write a book readers can’t put down. One way to deliver is through a narrative hook. But what is a narrative hook and how can you write a hook to captivate readers?
Sometimes people confuse the latin term per se with per say, especially because they sound identical in everyday speech. Today’s writing tip clears up any confusion.
I love The Princess Bride. I saw the movie before I knew there was a book, but once I found out that a literary form of the story existed, I immediately checked it out from my high school library and devoured it. I found another copy at a clothing swap about two years ago, and it’s been sitting on my bookshelf ever since. I’m due for another reading soon, I think.
What’s the difference between grammar vs punctuation? Why do they matter, or do they matter at all?
And how can you get better at them, even if all the grammar and punctuation rules are a struggle to remember?
You have finished writing the first draft of your story, a version of your whole story from beginning to end. Now it is time to edit, to revise your words to make your story clear and compelling, so the reader will continue reading after the first sentence.
Editing your story might feel like an impossible task, but when you have a strategy to use, you can be confident you can edit your own story and improve your writing.
Whatever you do, do not skip the important step of editing your first draft. According to David Remnick, the editor of The New Yorker, “Revision is all there is.”
