Revision is more than just correcting the comma splices and subject-verb agreement. Some bad writing is just awkward and unclear.
As I’ve worked to develop a working writing style, it’s taken me a lot of awkward sentences, phrases, and words, but after editing (and many writing lectures from Joe), I’ve developed a few tips to avoid the bad writing. Here are six tips that helped make my writing better (hopefully they help you, too!).
As writers, we are always working to make our stories the best they can be. One of the more advanced techniques that can help you do this is by giving an underlying meaning in a scene—otherwise known as subtext.
In a story, subtext can be implied by the surface action and dialogue.
When you think about the books and stories that you most enjoyed reading, chances are that story’s scenes were woven with something deeper than what appeared on the surface.
Today I’d like to teach you seven simple techniques for using subtext in your story, which I’ll also teach with some subtext examples.
In this post, you’ll learn the three best techniques to find weak verbs in your writing and replace them with strong ones. We’ll also look at a list of the strongest verbs for each type of writing, including the strongest verbs to use.
Let’s understand what we mean when we’re talking about “voice” in a passive sentence versus an active voice sentence. In this case, grammatical voice refers to the verb form used in relationship with the subject and receiver of the action.
(This should not be confused with author voice which is more about the personality and style of a writer throughout their work. That’s something entirely different.)
If you’re still confused, let’s look at some examples that will help you see the difference, and then look at how to use each type of sentence to its best effect. Ready?
A few weeks ago, our group of friends was planning a potluck. One of the girls said she was planning on making vegetarian chili, cornbread, or baking cookies. I cringed internally because the flow of the sentence was wrong and hurt me on the inside. The issue: mismatched parallelism.
Are you the kind of writer that loves writing a first draft but has no idea what to do once you’re done with it? Do you worry that you don’t know how to edit a novel, and freeze up because of this?
Editing is hard, but luckily there are strategies you can take when editing your first draft (and others), or even if it’s your first time.
In this article, I’ll teach you the process I’ve learned after years of struggling to edit. But first, there’s one thing we have to get out of the way:
