Do you remember the first time you read Romeo and Juliet? Did you cringe when Romeo kills himself, knowing that Juliet is still alive? This is a perfect example of how to use dramatic irony in your story—a literary device that will inevitably add suspense into your novel.
Dramatic irony can be used in any story regardless of genre, but it is especially useful when writing stories that you want to increase tension and suspense.
In this article, you’ll learn about dramatic irony, another useful technique that keeps readers on the edge of their seats.
Two of the most vital skills you should focus on as a writer are how to tell a story that satisfies readers and how to develop compelling characters. But once you’ve got that figured out, aren’t there other writing techniques, more subtle perhaps, that draw readers in and make stories shine?
There are. And one of those writing techniques is called euphonics.
Rayne Hall, author of the Writer’s Craft series, defines euphonics as “the use of sound devices for prose writing.” The dictionary definition of euphonic expands on that to include “a harmonious succession of words having a pleasing sound.”
Understanding this writing technique and applying it to your sentences will make your readers fall in love with your writing!
As writers, we are always working to make our stories the best they can be. One of the more advanced techniques that can help you do this is by giving an underlying meaning in a scene—otherwise known as subtext.
In a story, subtext can be implied by the surface action and dialogue.
When you think about the books and stories that you most enjoyed reading, chances are that story’s scenes were woven with something deeper than what appeared on the surface.
Today I’d like to teach you seven simple techniques for using subtext in your story, which I’ll also teach with some subtext examples.
Have you ever wondered which draft you are working on? Do you wonder what the difference is between your first draft, your second draft, and editing your book? You can learn the first draft definition and the differences between drafts in this article.
When writing multiple drafts of a book, you may be halfway through your rough draft and decide to start over. Or you may have written the entire manuscript, but then wish to scrap it and start fresh.
And when considering this, you question: “Am I writing a first draft? Am I editing my novel?”
What does “first draft” mean—or “second draft,” for that matter?
Knowing the differences between first drafts, second drafts, and editing your book will elevate your ability to tackle the writing and editing process. It will help you understand what to focus on when you’re writing—and have fun while you do it!
Atmosphere matters. You might be someone who will pay a premium to eat at a restaurant with a certain ambience or buy a house in a setting that supports a particular feeling. But how do you use atmosphere in your book?
In like manner, your reader won’t remember every word you wrote, but if you infuse the story with atmosphere, they will remember the way it made them feel.
But how can you weave atmosphere into your story without making it feel forced? How can your story’s atmosphere evoke an emotional response and leave a lasting impression on your readers? How can you leverage this literary technique to enhance that feeling?
A strong sense of atmosphere figures into the works of William Shakespeare. Edgar Allan Poe mastered atmosphere in poems like The Raven and his haunting tales of suspense. J.K. Rowling managed it well in the Harry Potter series.
And you can learn it too.
There are many literary devices and elements of fiction a writer uses to impact the atmosphere of a literary work, including figurative language, word choice, similes, and personification. In this post, we’ll examine how point of view and genre considerations help to set the mood and establish atmosphere.