by Joe Bunting and Ruthanne Reid |
Plot has a specific structure. It follows a format that sucks readers in; introduces characters and character development at a pace guaranteed to create fans; and compels readers to keep reading in order to satisfy conflict and answer questions.
Do you want readers to love your story? (Who doesn’t, am I right?) Then you need to understand plot.
by Joe Bunting |
Maybe and may be are both used to discuss possibility. However, they are different, with the main difference between these two words being that they are two different parts of speech.
As you may remember from elementary school, there are nine different parts of speech. Let’s look at how to distinguish between maybe and may be.
by Liz Bureman and Sue Weems |
If you’ve opened a novel and seen a quote on the opening pages then you’ve seen a literary epigraph. But what are they really? Why do authors use them? And how do you know if you need one for your own work in progress?
by Robert Harrell |
If you’ve ever been reading an intense scene or dramatic moment when a character comes in with some witty barb or action that makes you laugh? You’ve experienced comic relief in literature. What is comic relief and how does it work? Let’s take a look.
by Liz Bureman |
An en dash is one of the punctuation marks that most people see all the time, but rarely think about how to use correctly. Take a look at how to create an en dash and when to use it.
by Robert Harrell |
In The Hunger Games, berries play a prominent role. During the game, deadly berries eliminate at least one participant, and Katniss uses the berries to subvert the government’s purpose. But their presence goes beyond this. In fact, there are 56 references to berries of various kinds in the book.These references come at key moments in the plot.
What purpose do the berries serve to merit such a prominent place in the book? They are a motif.
“What’s a motif?” I hear you say. Let’s take a look.