by Alice Sudlow |
It bears repeating that the English language is full of odd sayings. Never fear, though—we’re here to break them down.
Today, we’re taking on a hairy turn of phrase: “it bears repeating.” Or is it “it bares repeating”?
by Joe Bunting |
Whether you’re writing a book or a blog post, it’s tempting to just dive into your writing project. However, you will likely save yourself time and create a better end product if you settle on a solid premise before you start writing.
by Joe Bunting |
Stuck on the distinction between “in to” and “into”? You’re not alone! Don’t worry, though, I’ve got you covered. Here’s the quick version:
Use “into” to describe where something is: going inside something else.
Use “in to” based on the verb that comes before it. It can have many meanings, but here’s a quick tip that covers some of them: if you can replace it with “in order to,” use “in to.”
Read on for the longer explanation, plus examples of into vs. in to.
by Joe Bunting |
Maybe and may be are both used to discuss possibility. However, they are different, with the main difference between these two words being that they are two different parts of speech.
As you may remember from elementary school, there are nine different parts of speech. Let’s look at how to distinguish between maybe and may be.
by Liz Bureman and Sue Weems |
If you’ve opened a novel and seen a quote on the opening pages then you’ve seen a literary epigraph. But what are they really? Why do authors use them? And how do you know if you need one for your own work in progress?
by Robert Harrell |
If you’ve ever been reading an intense scene or dramatic moment when a character comes in with some witty barb or action that makes you laugh? You’ve experienced comic relief in literature. What is comic relief and how does it work? Let’s take a look.