by Joslyn Chase |
As writers, we are always working to make our stories the best they can be. One of the more advanced techniques that can help you do this is by giving an underlying meaning in a scene—otherwise known as subtext.
In a story, subtext can be implied by the surface action and dialogue.
When you think about the books and stories that you most enjoyed reading, chances are that story’s scenes were woven with something deeper than what appeared on the surface.
Today I’d like to teach you seven simple techniques for using subtext in your story, which I’ll also teach with some subtext examples.
by Liz Bureman |
Today, Joe brought my attention to a strange quirk of the English language: we use “whose” for inanimate objects. It sounds so weird when you use the phrase like, “I placed the iPhone whose screen is broken in the bin,” but it’s technically grammatically correct.
by Alice Sudlow |
You’ve written a book. Congratulations! But wait . . . now what? What do you do with your manuscript? How do you turn it from a rough draft into a publishable book? The next step is to get professional developmental editing. A developmental editor will help you take your rough, unpolished ideas and turn them into an amazing second draft.
If you’re new to the world of editing, though, the term “developmental editing” might sound a little confusing. What is developmental editing? What makes it different from other kinds of editing, like line editing, copy editing, or proofreading?
Here’s everything you need to know about developmental editing, including how to find the best editor for your book.
by Liz Bureman and Joe Bunting |
Today, we’ll look at the difference between polysyndeton vs asyndeton, share some examples, and explain how and when to use them both in your writing. Let’s get started!
by Joe Bunting |
Stuck on the distinction between “in to” and “into”? You’re not alone! Don’t worry, though, I’ve got you covered. Here’s the quick version:
Use “into” to describe where something is: going inside something else.
Use “in to” based on the verb that comes before it. It can have many meanings, but here’s a quick tip that covers some of them: if you can replace it with “in order to,” use “in to.”
Read on for the longer explanation, plus examples of into vs. in to.
by Joe Bunting |
Tone in writing refers to both the writer’s feelings and attitude towards the subject and the audience and how those feelings are expressed. Tone is one of the elements of writing, and writers convey their tone through word choice and syntax. Like tone of voice, it helps set the mood of the writing piece and influences the reader interpretation.
Examples of tone can be formal, informal, serious, humorous, sarcastic, optimistic, pessimistic, and many more (click here for all forty-two examples)
