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At The Write Practice, we publish a new article each day designed to help writers tackle one part of their writing journey, from generating ideas to grammar to writing and publishing your first book. Each article has a short practice exercise at the end to help you immediately put your learning to use.

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Timeless Writing Doesn’t Have to Be Super Complicated

Timeless Writing Doesn’t Have to Be Super Complicated

Are there times when you want to write something different; to create something special and lasting that readers will find important?
Now, you know as well as I writing something timeless isn’t as easy. I was recently inspired by a book called A Grand Complication: The Race to Build the World’s Most Legendary Watch, by Stacy Perman, a fascinating book about watchmaking and collecting in the early 20th century.

After reading the book, I was struck by the many lessons fine watchmaking can teach about writing. Here are 3 of my favorites.

Why Ender’s Game Works (And Why The Rest of the Series Doesn’t)

Why Ender’s Game Works (And Why The Rest of the Series Doesn’t)

If I can, I always like to read the book before I watch the film adaptation, and so last week, I picked up the science fiction classic Ender’s Game by Orson Scott Card. I enjoyed the action-packed novel enough to read the second and third books in the series and found them to be troubled for the opposite reasons Ender’s Game was great.

If you’ve seen the film Ender’s Game (or are planning to) here’s what makes the book worth reading, and what you can learn about it and the mistakes of the rest of the series.

How to Cope with All the Waiting You’ll Do As a Writer

How to Cope with All the Waiting You’ll Do As a Writer

Sometimes, the hardest part of writing is the time spent not writing. Can anything good possibly come from waiting? Time is money, right? A precious resource?

If you think about it, the process of writing is pockmarked with periods of waiting. Long, interminable periods of waiting. You wait for ideas to strike. You wait for time to write. You wait for your browser to load your Web history full of research. You wait (sometimes a long, long time) on your brain, to make the connections your characters need to get from Act I to Act III.

Once your long wait is over, and you have a completed work in your hands, read, re-read, edited, revised, proofed and ready to make its way through the creeks and streams of the publishing world to an agent, a publisher, a contest or a magazine. You send it off, breathe a sigh of relief, and you wait. And wait. And wait some more.

How can we make sure the time spent waiting isn’t wasted?

Hyperbole and Adynaton

I did it. After months of anticipation, it finally happened. This past Sunday night, I watched Sharknado.

Most of you are probably familiar with Sharknado, but if you’re not, get out from under that rock and go look it up on Wikipedia. It’s a SyFy original movie, and the only really important thing you need to know is that a guy chainsaws a shark in half. From the inside. It’s amazing. It’s probably the greatest made-for-TV movie that I’ve ever seen in my life, and I’m not using that much hyperbole.

What’s hyperbole, you ask? Great question.

Are You In A Complicated Relationship With Your Characters?

I sat at the computer rubbing my brow. I’d written at least 60,000 words in my work in progress so far and my main character was still giving me a hard time. Others were having temper tantrums, standing in the shadowed corner of my mind with their arms crossed.

No matter what I did, they wouldn’t speak to me and they wouldn’t move from the shadows.

Are You Personalizing the Inanimate Objects In Your Story?

Are You Personalizing the Inanimate Objects In Your Story?

I just finished my newest children’s book called I’ll Never Let You Go. It’s the story of Edward (a bear) and his best friend Blankie, a fuzzy blue fabric scrap. Yep, Blankie is as real as any human friend with emotions and idiosyncrasies to match. Cuddly, thoughtful, kind, protective… and afraid of thunderstorms.

Climaxes and Anticlimaxes

Climaxes and Anticlimaxes

We’re all familiar with the term climax in reference to the point of a story where the action has reached its peak, the conflict is at its tensest, and the rest of the plot is a movement towards the resolution.

But did you know that climax also is a figure of speech that you can use in your storytelling?

How Original Are You?

How Original Are You?

Everyone wants to be original. Fact. And yet how hard do you strive towards being original? How can you tell if you are or aren’t? Who’s the judge of your work?

These are questions that bother me daily and cloud over my work. It’s not easy to get through. You can rationalize: my work is unique, because nobody else can do it exactly like I did. This is true, and yet so many books look like copies of one another, old-fashioned themes, clichéd choice of phrases and sentences.

Is it enough? I personally don’t think it is.

How to Know When You Are Ready to Write a Novel

How to Know When You Are Ready to Write a Novel

You’ve been thinking about writing a novel for years now. You’ve had ideas swimming around in your head for as long as you can remember.

You’ve researched the best webinars, workshops, and creative writing degrees. Or maybe you’ve taken some writing courses, read all the “how to” books, and even went to a writing conference.

And after all this, you still don’t feel ready.

Writer’s Block? Try Getting Visual

For several weeks, I’ve been blocked on a writing projects for a client. One night, I even stayed up until one in the morning, staring at my screen, unable to write a thing.

Then, just yesterday, I had a breakthrough. In just a few hours, I was able to accomplish more than I had the previous three weeks combined.

What got me unblocked? Visuals.

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