I’m working through a revision, and one of my main problems is the protagonist. My editor and a beta reader both suggested amping up her emotional appeal, leaving comments such as, “I’m not invested in this character yet” and “I want to care about her, but I don’t in this scene.” Ouch. I’ve created a bland character.
So amping up emotional appeal. Is there a lipstick for that? How do I amp up emotional appeal?
Anyone who has dipped their toes into the world of writing novels knows how crucial character development is to telling strong stories. Plot, setting, and dialogue are necessary building blocks of fiction, but your characters are the foundation that your story is resting on—without dynamic characters, no amount of plot twists, fantastical settings, or authentic dialogue will magically transform into a novel that people want to read.
If the success of your novel is in fact riding on the strength of your characters, you need to know who they are, inside and out. More importantly, you need a character with a strong voice, one that can reveal the emotional depths of your story to the reader.
Sometimes I get stuck wondering how to write a scene during a first draft. Or maybe I can’t figure out how to revise a story to make it better. Sometimes I wonder if I am ever going to make any progress in my fiction and life. (Please tell me I’m not alone!)
I’ve been revising this summer, and it’s taking longer than I’d like. I keep returning to the basics of good storytelling to evaluate my scenes, and yesterday, it occurred to me that there are three questions I can ask to clarify almost any scene. Coincidentally, they are the same three questions I usually ask myself to tackle almost any life problem.
I want you to think back to your favorite book or television show. There may be many things that stood out to you about that story—the plot, the scenery, the outfits, the scope, or something else. There’s one aspect, however, that underpins all those things. One detail which, if missing, leaves your readers unable to really invest themselves in your story: relationships between characters.
Every author has had to tackle following question at some point, whether it be Shakespeare or J.K. Rowling: Are the heroes of my tale going to be of common stock or noble heritage? Will I create a lower class or upper class character? It has been a heated topic of debate since long before the Brothers Grimm ever picked up a pen, and it’s a debate that continues on to this day.
Subtext is the underlying message in a scene. In The Godfather, when Don Corleone says, “I’m gonna make him an offer he can’t refuse,” we know someone (and a horse) is in serious danger. When I tell my kids, “I’m gonna make you an offer you can’t refuse,” I probably mean “Do your chores or I’ll shut down the wifi.”
Same statement, different subtext.
