My family moves a lot. Beginnings are often stressful, disorienting things, while endings might be joyous, grief-filled, and everything in between. Funny how stories are like that too. It’s often so difficult to know how to begin a story or how to tie it up at the end. Why are beginnings and endings so hard to do well in writing and life?
Daydreaming is one of your greatest writing tools. Mind you, some people call it visualization. Others call it imagination. I call it story-prep, and here and now, I am officially giving you permission to daydream.
Not convinced yet? Here are three reasons why daydreaming might just be one of the best things you do for your writing today.
The most crushing piece of criticism authors can hear is that their main character is “flat” or “two-dimensional.” This is especially true for writers who have poured a lot of their personal experience into their protagonist’s journey. Conventional writing wisdom tells us that main characters need to be “dynamic” characters who evolve over the course of the story.
But what exactly does “dynamic” mean? If your protagonist doesn’t actually change all that much, does that make them flat and static? Are they, by default, a poorly written character?
When I was in high school, a drama teacher that I had my sophomore year made everyone in my class keep a journal. He kept them in his office, but never read them, and we would write every morning we had class. Some of us took the exercise more seriously than others (there was a minimum three line requirement), but after that year, he gave us the notebooks to keep. I had enjoyed journaling so much that I continued.
It was a great way for me to get my thoughts recorded, although it wasn’t the prettiest writing I’ve ever done. If you’re looking for an alternative way to tell a story, there are a couple reasons to try a diary or epistolary format.
You are going to write a story. Yes, today is the day you are going to write a fiction story about someone. Your character and their development through the story is the heart of fiction.
Make your characters real, and your readers will care what happens to them because they can identify and sympathize with the character in a situation.
We talk to tell someone we want them to pass the salt. We talk to ask questions, share feelings, and ask for directions when we are lost. We talk to ourselves in our thoughts, and we speak out loud.
In our stories, our characters talk, too. It is not quite as easy to write dialogue for our characters as it is to have conversations in real life. But if you take time to learn how dialogue works and practice writing it, you will be able to write brilliant conversations that sound natural and move your story forward.
