by Monica M. Clark |
In the New York Review of Books, Zadie Smith describes the Italian painting “Man Carrying Corpse on His Shoulders” in the detailed way that we writers try to describe the images in our heads. When I read it, it led to a kind of an epiphany–like “oh, that’s how you do it.”
by Monica M. Clark |
Three tips on how to write like Alexander Hamilton the person from watching the Hamilton musical.
by Kellie McGann |
The beloved classic To Kill A Mockingbird has a sequel. Go Set A Watchman by Harper Lee was released on July 14th. In its first week of publication, Go Set a Watchman sold 1.1 million copies, the most ever sold in a week by Harper Collins.
by Joe Bunting |
I’ve been thinking today about what makes a setting like Hogwarts so great.
We’ve all spent a lot of time at school, many years of our lives. School is familiar, relatable, “homey.”
Thus it makes perfect sense to set a young adult novel series in a school. And many writers have done this, not just J.K. Rowling.
by Monica M. Clark |
When I attended the writer’s retreat with Wild author Cheryl Strayed a few weeks ago, I learned a lot about writing and storytelling. I learned about leaning into subjectivity and the power of objects.
I was also struck by two points Cheryl made about revelations.
by Monica M. Clark |
In my last post I talked about the writer’s retreat I attended recently taught by Wild author Cheryl Strayed. I learned so much about writing stories from hearing her speak, including how to lean into subjectivity, and I plan to share as much with you as possible.
Today’s Lesson from Cheryl Strayed: How to use everyday objects to imbue your stories with meaning.