Le Guin was a “genre” writer who constantly pushed the boundaries of what we think of as genre. Besides sci-fi and fantasy, she wrote poetry, creative nonfiction, and literary fiction.
I honestly believe she will go down in history as one of the greatest writers, literary or otherwise, of the 20th century.
Let’s understand what we mean when we’re talking about “voice” in a passive sentence versus an active voice sentence. In this case, grammatical voice refers to the verb form used in relationship with the subject and receiver of the action.
(This should not be confused with author voice which is more about the personality and style of a writer throughout their work. That’s something entirely different.)
If you’re still confused, let’s look at some examples that will help you see the difference, and then look at how to use each type of sentence to its best effect. Ready?
You never get a second chance to make a good first impression. That’s why these famous first lines of books are a terrific opportunity to learn from the masters of fiction. Take a look and see if one of your own favorites is here.
Have you heard the term pantser before? When it comes to plot structure are you one?
There are all types of writers, but most writers fall into one of the three categories: pantser, plotter, or planster (a combination of the two).
While there’s no (necessarily) right or wrong way to approaching structure, writers who fall into their certain category do so with pride.
Today, let’s talk about what kind of writer a pantser is. Maybe you’ll even discover the kind of writer you are—possibly someone who writes by the seat of your pants, or someone who takes a general idea and writers pages of background and structure before moving forward.
Let’s find out!
Are you frustrated with your writing? Tired of writing words you know aren’t as good as you want them to be? Frustrated writer, I know why.
A weird thing happens when we finally sit down to write The Book: we expect it to come out as magnificently as we think it should. We see or feel what it should be, and hey—we’ve read and written stuff all our lives, right? It should just come out!
But it doesn’t.
This is normal.
The first time I wrote a novel, I didn’t think about genre until the first draft was done, and I began trying to untangle my mess in revision. After two painful years (mostly comprised of avoidance, procrastination, and general despair), I hired a developmental editor who began our first phone call by asking, “What kind of book is this?” and “Who is your ideal reader?”
“It’s for everyone,” I said. I could hear the rise and fall of my breathing in the silence.
“No, it isn’t,” she said in a kind, but firm voice. Within minutes, I realized I had skipped a clarifying question that would guide every step of the book process from the plot and characters to cover design and marketing.
