At The Write Practice, we publish a new article each day designed to help writers tackle one part of their writing journey, from generating ideas to grammar to writing and publishing your first book. Each article has a short practice exercise at the end to help you immediately put your learning to use.
Check out the latest articles below or find ones that match your interest in the sidebar.
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Honing your craft is one of the most important things you can do as an author. And when it comes to sharpening my writing skills, MasterClass is one of my go-to solutions.
I recently decided to check out Judy Blume’s MasterClass, and I’ve written a review with my thoughts on what it covers and whether it’s worth the money.
You’ve written a book. Congratulations! But wait . . . now what? What do you do with your manuscript? How do you turn it from a rough draft into a publishable book? The next step is to get professional developmental editing. A developmental editor will help you take your rough, unpolished ideas and turn them into an amazing second draft.
If you’re new to the world of editing, though, the term “developmental editing” might sound a little confusing. What is developmental editing? What makes it different from other kinds of editing, like line editing, copy editing, or proofreading?
Here’s everything you need to know about developmental editing, including how to find the best editor for your book.
How do good stories start? In the middle of the action? With a slow buildup to the action?
Exposition is a literary term that deals with how to start a story.
In this article, I’ll define exposition, talk about how it fits into the dramatic structure, give examples of expositions from popular novels, plays, and films, and then give a few tips on how to use the exposition best in your writing.
Horror wants to scare, to shock, to terrify, and sometimes even to repulse readers or audiences. It delves deep into the human psyche to look at what scares us and why, as well as to examine the limits of human depravity (Hannibal Lector, anyone?).
Try one of these prompts designed to terrify.
Horror is a genre of literature or film that wants to evoke fear, shock, and suspense. Characters battle for their life versus a fate worse than death.
What makes a good horror story is the ability to tap into our deepest fears and deliver them in a captivating way. Even if you don’t consider yourself a horror writer, practicing a few short stories in this genre can help you understand human fear and the way it motivates action.
A few months ago, I posted an article about avoiding clichés here on The Write Practice. The (bland) title I proposed was “How to Avoid Clichés.” The published title read: “How to Avoid Clichés (Like the Plague).” I grinned when I read it and said another thank you to a quiet hero of the publishing world: our editor.
She amped up the title with a clever twist that sounded just like me with my penchant for parentheses. Editors are invisible heroes in the publishing world, and knowing what they do can help you through every stage of your journey.
So you’ve been handed a passage and have to find the main idea of a story. But you have no idea where to begin and it’s starting to look like one large block of text. Never fear! Today we’ll look at how to find the main idea of a story and why it matters for learning and writing.
Growing up is a universal experience with a myriad of variations. Some cultures and families have rituals that young people follow or rebel against to find their way to adulthood or self-actualization. Others are left to stumble through their entire life trying to figure out how to experience happiness.
We often think of coming of age or initiation stories as a journey from adolescence to adulthood, but some adults reach legal age without becoming a mature person. They can undergo a coming of age story much later.
Let’s look at some prompts to write coming of age stories.
So you want to know how to write a coming of age story?
Coming of age is one of the central themes in all of literature, but it’s also a specific type of story in its own right, one of the nine types of stories that we talk about in The Write Structure plot framework.
It’s also one of the few ways we describe all change in a character, one of the two internal plot types! Which means if a character is growing and maturing in your story, no matter what age they are, you might be telling a coming of age story.
“The difference between the right word and the almost right word is the difference between lightning and a lightning bug.” —Mark Twain
One of the best parts about writing is the fact that you get to pick your words. And we have so many words to choose from! Literally tens of thousands of beautiful words flitting through space, just waiting for you to pinpoint exactly which one to use to describe your protagonist, setting, or climactic scene. However, despite the fact that you have seemingly unlimited options when it comes to word choice, the meaning that you’re trying to express may narrow your selection significantly.
