At The Write Practice, we publish a new article each day designed to help writers tackle one part of their writing journey, from generating ideas to grammar to writing and publishing your first book. Each article has a short practice exercise at the end to help you immediately put your learning to use.
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Want to become a better writer? Perhaps you want to write novels, or maybe you just want to get better grades in your essay writing assignments, or maybe you’d like to start a popular blog.
If you want to write better, you need practice. But what does a writing practice actually look like? In this post, I’m going to give you everything you need to kick off your writing practice and become a better writer faster.
So you want to become a writer.
Perhaps you write because it makes you feel alive. Perhaps you read a book that made you think, “It must feel amazing to write something like this. Maybe I could be a writer.” Perhaps you feel like you can’t not write.
So then, how do you do it? How do you become a writer?
A few months ago, I posted an article about avoiding clichés here on The Write Practice. The (bland) title I proposed was “How to Avoid Clichés.” The published title read: “How to Avoid Clichés (Like the Plague).” I grinned when I read it and said another thank you to a quiet hero of the publishing world: our editor.
She amped up the title with a clever twist that sounded just like me with my penchant for parentheses. Editors are invisible heroes in the publishing world, and knowing what they do can help you through every stage of your journey.
Finishing a first draft is a huge deal. If you just accomplished this, be proud of yourself! At the same time, you might be wondering how to revise a novel after that first draft is done. There’s a lot of advice out there. Which do you listen to?
The revision process doesn’t have to be complicated. However, you might feel—especially if this is your first completed draft ever—intimidated to edit your book. There’s a lot of words and scenes to review. Where do you begin?
In this article, I’d like to share how I took a daunting editing process and created a simplified, concise, and clear strategy to revising your first draft. I do this with what I call a Revision List—a table with five columns that can help you simplify big ideas.
If you’re like me, you won’t ever want to edit a first draft without it!
Horror wants to scare, to shock, to terrify, and sometimes even to repulse readers or audiences. It delves deep into the human psyche to look at what scares us and why, as well as to examine the limits of human depravity (Hannibal Lector, anyone?).
Try one of these prompts designed to terrify.
Horror is a genre of literature or film that wants to evoke fear, shock, and suspense. Characters battle for their life versus a fate worse than death.
What makes a good horror story is the ability to tap into our deepest fears and deliver them in a captivating way. Even if you don’t consider yourself a horror writer, practicing a few short stories in this genre can help you understand human fear and the way it motivates action.
Most great stories, whether they are a Pixar film or a novel by your favorite author, follow a certain dramatic structure.
When you’re getting started with writing, understanding how the structure works is difficult. Even if you go back and analyze your favorite books and films, it can still be hard to structure your own stories. That’s where Freytag’s Pyramid can help.
So you want to know how to write a coming of age story?
Coming of age is one of the central themes in all of literature, but it’s also a specific type of story in its own right, one of the nine types of stories that we talk about in The Write Structure plot framework.
It’s also one of the few ways we describe all change in a character, one of the two internal plot types! Which means if a character is growing and maturing in your story, no matter what age they are, you might be telling a coming of age story.
“The difference between the right word and the almost right word is the difference between lightning and a lightning bug.” —Mark Twain
One of the best parts about writing is the fact that you get to pick your words. And we have so many words to choose from! Literally tens of thousands of beautiful words flitting through space, just waiting for you to pinpoint exactly which one to use to describe your protagonist, setting, or climactic scene. However, despite the fact that you have seemingly unlimited options when it comes to word choice, the meaning that you’re trying to express may narrow your selection significantly.
You’ve written a book. Congratulations! But wait . . . now what? What do you do with your manuscript? How do you turn it from a rough draft into a publishable book? The next step is to get professional developmental editing. A developmental editor will help you take your rough, unpolished ideas and turn them into an amazing second draft.
If you’re new to the world of editing, though, the term “developmental editing” might sound a little confusing. What is developmental editing? What makes it different from other kinds of editing, like line editing, copy editing, or proofreading?
Here’s everything you need to know about developmental editing, including how to find the best editor for your book.
