Our job as writers is to transport our readers into our stories. A high-octane plot and three-dimensional characters are obviously necessary to accomplish this goal, but so is an immersive setting.
Setting is often overlooked when describing a scene. We all want to move on to the next plot twist and wasting important space on what trees look like will just bore the readers, right?
Wrong.
To draw readers fully into a scene, we need setting. We want them to forget they’re reading and make them experience everything our characters are experiencing.
Sometimes, you can get away with building your setting straight from your imagination. Sometimes, you can’t.








