At The Write Practice, we publish a new article each day designed to help writers tackle one part of their writing journey, from generating ideas to grammar to writing and publishing your first book. Each article has a short practice exercise at the end to help you immediately put your learning to use.
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I’ve learned a lot about theater over the past year through my interest in musicals, my college theater class, and participating in a couple of theater groups. Throughout all of these experiences, I’ve noticed a bunch of similarities between performing or writing a play and writing a story. Here are six of them.
It’s easy as a writer to fall into the trap of shiny new toys. There’s an endless number of book writing software programs claiming to be the best at one thing or another, from Microsoft Word to Scrivener to Vellum—and the list goes on and on.
They flash their sexy features at you and promise to be the very thing you need to become the writer you want to be. But sadly, these programs will not make you into the writer you want to be. They offer the world, but often only take your time.
That’s why I would like to offer a defense for using the industry book writing software standard, Microsoft Word.
Every morning, my alarm rings, and I launch into the day, getting four kids off to three different schools before heading to my campus for a full day teaching high school. What do I write? Fourteen restroom passes.
In the evenings, between dinner and soccer practice, I argue with at least two children about homework or chores, and check that I didn’t forget to pay the bills online. What do I write? a grocery list and my signature on reading logs or permission slips.
All the while, the ideas in my creative writing journals sit simmering, waiting to be told. Sometimes I get twitchy thinking about the stories I haven’t told yet. I think about my drawer of stories waiting to be finished. There just isn’t enough time in my day to get it all done and write. Right?
Wrong.
How do you write memoir and tell a story that is compelling to you, but might not be to your reader?
Boredom is death for a writer and must be avoided at all cost. When writing memoir, the facts of a person’s life will fall short if that’s all you have to offer. You need something more if you want the story to come to life in the heart, mind, and imagination of the reader.
I’ve tackled why we write before. Having an answer to that question is crucial, but it’s only the first question. The second is just as important: why should you keep writing?
On those days when we lose writing contests and can’t finish our stories and forget why we were writing the darn things in the first place, we need more than the reason why we chose to write. We need straight-up cussed orneriness.
It’s tempting to write fancy language and complicated sentences, but writing clearly is one of the best things you can do for your readers.
Luckily, tightening up one’s writing is one of the easiest skills for a writer to develop. Here are nine practical ways you can tighten your work.
In his classic memoir On Writing, Stephen King writes, “If you want to be a writer, you must do two things above all others: read a lot and write a lot.” The latter is, of course, what this blog is all about (writing a lot). But I’m convinced that most writers ignore the former: reading a lot. (Or at the very least, they don’t read thoughtfully.)
If you’re like most people, you bounce from book to book haphazardly. What you read from month to month and year to year is simply not something you carefully consider.
But if you call yourself a writer and your goal is to become a better one, you do yourself a great disservice by not reading voraciously and thoughtfully.
Today on the blog we’ve decided to have a little fun. We created a quiz that will determine which classic writer you are most like. These writers set the standards high for us, and we as a community aspire to reach those together. Figuring out which writer we are most like might help us improve and hone our skills a little more.
We talk to tell someone we want them to pass the salt. We talk to ask questions, share feelings, and ask for directions when we are lost. We talk to ourselves in our thoughts, and we speak out loud.
In our stories, our characters talk, too. It is not quite as easy to write dialogue for our characters as it is to have conversations in real life. But if you take time to learn how dialogue works and practice writing it, you will be able to write brilliant conversations that sound natural and move your story forward.
You’ve set your intentions with Kellie and planned and plotted with Monica. Now it’s time to write. Ready, set, . . . get distracted.
As writers, we lament our lack of time, but how often do we let distractions steal the little time we do have? In this post, I’ll show you how I use Freedom, along with a few other tricks, to keep me focused, even when life is crazy.
