At The Write Practice, we publish a new article each day designed to help writers tackle one part of their writing journey, from generating ideas to grammar to writing and publishing your first book. Each article has a short practice exercise at the end to help you immediately put your learning to use.
Check out the latest articles below or find ones that match your interest in the sidebar.
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A thriller is not just a rollercoaster ride, but like a whole day at a theme park with head-of-the-line privileges. Ride after wild ride with maybe just enough down time to eat a corndog and take a bathroom break. The necessary ingredients for a thriller include conflict, tension, and suspense, all tied up in a nice, twisty package.
Honing your craft is one of the most important things you can do as an author. And when it comes to sharpening my writing skills, MasterClass is one of my go-to solutions.
I recently decided to check out Judy Blume’s MasterClass, and I’ve written a review with my thoughts on what it covers and whether it’s worth the money.
You’ve written a book. Congratulations! But wait . . . now what? What do you do with your manuscript? How do you turn it from a rough draft into a publishable book? The next step is to get professional developmental editing. A developmental editor will help you take your rough, unpolished ideas and turn them into an amazing second draft.
If you’re new to the world of editing, though, the term “developmental editing” might sound a little confusing. What is developmental editing? What makes it different from other kinds of editing, like line editing, copy editing, or proofreading?
Here’s everything you need to know about developmental editing, including how to find the best editor for your book.
How do good stories start? In the middle of the action? With a slow buildup to the action?
Exposition is a literary term that deals with how to start a story.
In this article, I’ll define exposition, talk about how it fits into the dramatic structure, give examples of expositions from popular novels, plays, and films, and then give a few tips on how to use the exposition best in your writing.
Horror wants to scare, to shock, to terrify, and sometimes even to repulse readers or audiences. It delves deep into the human psyche to look at what scares us and why, as well as to examine the limits of human depravity (Hannibal Lector, anyone?).
Try one of these prompts designed to terrify.
Horror is a genre of literature or film that wants to evoke fear, shock, and suspense. Characters battle for their life versus a fate worse than death.
What makes a good horror story is the ability to tap into our deepest fears and deliver them in a captivating way. Even if you don’t consider yourself a horror writer, practicing a few short stories in this genre can help you understand human fear and the way it motivates action.
A few months ago, I posted an article about avoiding clichés here on The Write Practice. The (bland) title I proposed was “How to Avoid Clichés.” The published title read: “How to Avoid Clichés (Like the Plague).” I grinned when I read it and said another thank you to a quiet hero of the publishing world: our editor.
She amped up the title with a clever twist that sounded just like me with my penchant for parentheses. Editors are invisible heroes in the publishing world, and knowing what they do can help you through every stage of your journey.
So you’ve been handed a passage and have to find the main idea of a story. But you have no idea where to begin and it’s starting to look like one large block of text. Never fear! Today we’ll look at how to find the main idea of a story and why it matters for learning and writing.
Plot has a specific structure. It follows a format that sucks readers in; introduces characters and character development at a pace guaranteed to create fans; and compels readers to keep reading in order to satisfy conflict and answer questions.
Do you want readers to love your story? (Who doesn’t, am I right?) Then you need to understand plot.
Growing up is a universal experience with a myriad of variations. Some cultures and families have rituals that young people follow or rebel against to find their way to adulthood or self-actualization. Others are left to stumble through their entire life trying to figure out how to experience happiness.
We often think of coming of age or initiation stories as a journey from adolescence to adulthood, but some adults reach legal age without becoming a mature person. They can undergo a coming of age story much later.
Let’s look at some prompts to write coming of age stories.
