by Joe Bunting |
If you’ve ever told a good story—one that has your friends or family on the floor laughing, or else on the edge of their seat asking, “What happened next?!”—then you know that you can’t get to the point of the story too quickly.
Instead, you draw out interest. You talk about all the things that went wrong. You make jokes and accentuate the best details. When you’re done, it’s not the punchline people remember; it’s everything leading up to it.
The same is true when you’re writing a story, particularly in novels, memoirs, and screenplays. It’s called the Rising Action, and it’s essential to get it right IF you want to write entertaining, informative, and deeply connecting stories.
In this article, I’m going to talk about the rising action: what it is, how it works in a story, how it’s been treated by scholars who study story structure throughout history, and finally how you can use it to write a great story.
by Joe Bunting |
Love stories appear everywhere in the films we watch, books we read, and shows we binge. From romance novels and romantic comedies to ninety percent of subplots and even family dramas, love stories are the most common type of story.
Which is all to say, if you want to be a creative writer, you probably need to learn how to write love stories.
In this guide, we’re going to explore love stories of all kinds, from the ones that end “happily ever after” to tragic love stories and even stories that don’t look like love stories but actually are. We’ll talk about the elements of love stories, their structure and arcs, the best love story examples to study, and finally how to actually write a love story of your own.
by Joe Bunting |
How do good stories end? In tragedy or triumph? With a wedding or a funeral?
That is the question of the denouement, a literary term that means more than just “the end.”
This article is all about denouement. In it, we will talk about the origin and definition of the literary term, give examples, and talk about where it fits in your writing.
by Liz Bureman |
As we continue to look at Christopher Booker’s 7 basic plots, today we turn to the voyage and return. If you’re trying to tell a story with a journey into strange lands on a fantastic voyage, where normal rules might not apply, you may be working with a voyage and return plot.
by Joe Bunting |
How do you tell a story? Not how do you construct a story, or how do you structure and plot a story? How do you tell a story?
When I think about storytelling at its most basic, I think about our earliest ancestors, sitting around a campfire, sharing stories about their lives, the adventures they’ve been part of, and the history of their people.
This is what narrative devices are about, how you tell the story, and if you’re a writer, the method and perspective of your storytelling is something you must consider.
In this article, we’re going to talk about narrative devices, what they are, the different types found in the best books, plays, films, and serials, and how to use them to tell a powerful story.
by Joe Bunting |
How do you tell a great story? Perhaps the best way to judge a story is by how good the climax is.
If your story isn’t good, the climax will be muddled or boring. A good story, though, will bring together all the tension that has been building since the exposition into one perfect scene that overwhelms the audience and leaves them in awe.
What is the climax, though? And how do you write a good one?
