by Jeff Elkins |
Sometimes writing can feel like a race. We rush to finish the next manuscript or the next novel or the next short story. We try to be factories that churn out narratives that will sell. We jump from one project to the next because we’ve been told consumers demand a constant flow of new things to devour.
This race can be exhausting and discouraging. In the midst of it, we can lose sight of the fact that writing, like any art, is a craft that needs to be practiced to be perfected. There is value in slowing down, taking a break from larger works, and practicing small things.
by Guest Blogger |
Nobody wants their writing to be described as “conventional” or “formulaic,” and in an effort to avoid such damning judgements, many young writers throw themselves past creative writing guides, the rules of writing, and all the catalogues of conventional wisdom, instead opting to carve their own path.
But before you follow suit and bend all the rules to write experimental fiction, there are a few things you need to know.
by Sue Weems |
Mark Twain is one of my favorite writers. When I read his essays last year, I came across a bit of revising gold in a 1906 essay titled “William Dean Howells.” Most of the essay praises Howells’s prose in general, but the final paragraphs address what Twain calls “stage directions.”
In a play, stage directions are only visible to the audience through the movement and actor’s inflection during the performance. In a novel, we rely on description to set scenes, give context, and deepen characterization. When done well, stage directions don’t distract from the character or action.
When done poorly, however, Twain has something to say about them.
by Pamela Fernuik |
I have a one-hundred-and-five-page book. It weighs four ounces. The Boston Globe thinks that “No book in shorter space, with fewer words, will help any writer more than this persistent little volume.” The Elements of Style by Shrunk White and E.B. White is as elemental to a writer as practicing scales is to a pianist.
by Pamela Fernuik |
There are many ways to approach writing a story: you can interview your characters first, plot the story before you start writing, or use Stephen King’s approach, which is to start with the situation.
Do you plan your stories before you write them? Do you start with a character or a situation? Do you know where your story will end before you begin writing?
These are all valid ways to write stories. But today, perhaps you might try beginning with a situation and following a character who will lead you to the end.
by Joe Bunting |
Have you ever been channel surfing this time of year, turned to that quintessential holiday movie A Christmas Story, and found yourself unable to change the channel? Why is A Christmas Story a classic? And what can writers learn from the movie?
