by Joe Bunting |
Most great stories, whether they are a Pixar film or a novel by your favorite author, follow a certain dramatic structure.
When you’re getting started with writing, understanding how the structure works is difficult. Even if you go back and analyze your favorite books and films, it can still be hard to structure your own stories. That’s where Freytag’s Pyramid can help.
by The Magic Violinist |
This week, we lost an incredible writer. Toni Morrison was a novelist, essayist, editor, professor, and winner of the Nobel Prize for Literature. Her perhaps most well-known book, Beloved, won the Pulitzer Prize for Fiction and was made into a movie starring Oprah Winfrey.
In honor of Black History Month, I want to share five quotes from black authors that are sure to give you the push you need to write something fantastic.
by Monica M. Clark |
Recently my publisher recommended I read the novel “If Beale Street Could Talk” by James Baldwin.
Baldwin is known by many for being a political writer during the Civil Rights movement, but what struck me about Beale Street was how he conveyed this emotion. He does such a great job making me feel Tish’s love, desperation, etc. throughout the book such that I found myself thinking, “how did he do that?”
How did Baldwin so successfully evoke emotion in Beale Street? Here are some of the answers I came up with.
by Brendan Hufford |
Margaret Atwood is perhaps best-known for her novel The Handmaid’s Tale. In her MasterClass, she’ll teach you how she wrote it. Will the class help you become a better writer? We took it to find out.
by Ruthanne Reid |
For those of us who’ve been in the writing biz a while, there is a quote by Stephen King we’ve all seen a thousand times (and if you’re new to writing, fear not: you’ll see this quote a thousand times, too).
by Joe Bunting |
The stereotypical writer used to be a silent, brooding genius who kept to himself and rarely ventured into the outside world, except to do “research” on how the subjects of his stories lived. People imagined an entire profession of Emily Dickinsons, pale and contemplative.
However, for nearly every famous writer—from Ernest Hemingway to Virginia Woolf, J.R.R. Tolkien to Mary Shelley—this stereotype couldn’t be further from the truth.
And the truth is that nearly every great writer had a Cartel.