At The Write Practice, we publish a new article each day designed to help writers tackle one part of their writing journey, from generating ideas to grammar to writing and publishing your first book. Each article has a short practice exercise at the end to help you immediately put your learning to use.
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You finally finished writing your book. There’s a glimmer of hope that the end is near. It’s time to pass your rough draft on to an editor to clean it up, right?
Not so fast. Have you revised it yourself yet?
What a lot of bestselling authors and writing coaches will tell you is the hard part of writing a book is not writing the book. The hard part is rewriting your book.
Ever had one of those weeks? The kind of week where life boils over, and even if you have time to sit down and write, you don’t have a lot of writing to give.
Sometimes, life goes nuts; when it does, it’s harder to write.
You’ve got nothing. No characters talking, no plot points singing. Your story seems dumb, your twist ending feels predictable, and you suddenly wish you’d never told anybody you were going to write because it’s gonna be humiliating when you fail.
We all have weeks like that—I know I do—and so today, I’m going to give you three steps to work through those troubled times when you can’t write at all.
Do you like delicious, large, fresh, round, red apples? Or do you prefer crunchy, long, orange, locally grown carrots?
Whatever your produce preferences, I bet you don’t like red, large, delicious, fresh, round apples or locally grown, orange, long, crunchy carrots.
If you’re confused about this, you’re not alone. J. R. R. Tolkien ran into this little-known quirk of English grammar when he first began writing.
Today on the blog, we’ve decided to have a little fun. We created a quiz that will determine which punctuation mark you are!
Punctuation marks can completely change a sentence, a paragraph, and an entire novel. Every writer uses them differently and we often have favorites that accompany our writing.
So we decided to create a quiz to help you determine which punctuation mark you might be most like.
The world still needs more silly. That’s why we want to invite you to please join us for The Second Annual Wacky Writing Prompt Scavenger Hunt. We will randomly choose three participants to win a new Moleskine notebook, a red Swingline stapler, or a pair of rubber gloves.
You don’t have to have fun if you don’t want to. I don’t even mind if you whine a little bit. I won’t even make you brush your teeth before you start the game. And I won’t make you clean my seven litter boxes.
Still—please have fun. Fun is good. So is pizza.
Every year romance tops the list of the most widely read genres. From Edward and Bella to Harry and Sally to Romeo and Juliette, most of the greatest stories ever told have at their center two people discovering their feelings for one another.
We love tales of characters fighting to find a connection, but before we can flush out a fiery story filled with heat and tension, we need to understand what kind of spark our characters are experiencing.
I’ve experienced three different forms of romantic feeling: infatuation, lust, and love. Each is its own unique kind of fire. When we write romantic relationships between characters, it’s important we know which of these three types of burn they are experiencing.
A few months ago, I accepted a challenge to finish my book by September 2. The challenge came with stakes. If I missed my deadline, I had to give $1,000 to the presidential candidate I despise the most.
You’re probably wondering, “Did you succeed? Or did you have to send that $1,000 check to that presidential candidate you hate most?”
By the way, you can read all the updates from my Book Deadline Challenge here.
So here’s the news on my deadline…
Let’s be honest. There is no such thing as Writer’s Block.
This is a phrase that we use to describe the frustrating experience of wishing to write without being able to. But there’s no such thing. We say that we have this thing called “writer’s block” and it’s the reason why we’ll never achieve our dreams. As if it’s a contracted disease. But it doesn’t exist.
What we are experiencing is the self-inflicted phenomenon of writers making choices that frequently lead to failure. And knowing that writer’s block is a myth is exactly what you need to beat it.
English is so weird.
No, really. We only have 26 letters and a hodgepodge vocabulary that seems to make fun of itself. We use insane spelling and restrictive grammar that make no logical sense. I once heard the joke that English doesn’t “borrow” from other languages; it follows them into dark alleys, knocks them out, and takes their wallets.
Yet somehow, we use this cockamamie language to create beauty and power, to communicate multi-layered concepts and share one another’s lives. We use our broken, Frankensteinian tongue to reshape entire world views, to give hope, and to create empathy. That’s why, in spite of its flaws, I love it.
If you’re going to be a writer, you need to learn to love it, too—even when it drives you crazy.
A couple of weeks ago I attended an author talk with Jonathan Franzen at Sixth and I in D.C.. A journalist named Marcela Valdes sat “in conversation” with him and I’m not gonna lie—it was like watching a fawning student desperately trying to impress her professor (who will not throw her a bone).
Was the author talk worth it? Definitely. Even though the conversation was a little weird, every once in a while the too-cool-for-school Corrections author would drop these tidbits of wisdom that I loved.
