At The Write Practice, we publish a new article each day designed to help writers tackle one part of their writing journey, from generating ideas to grammar to writing and publishing your first book. Each article has a short practice exercise at the end to help you immediately put your learning to use.
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After spending years of your life writing a story, you don’t want it to be rejected in the first sixty seconds by an editor. Using pink paper for your novel manuscript submission or dressing like a chicken for your audition on America’s Got Talent both might get you attention, but it is not the attention you want.
How do you avoid the rejection pile and get published?
There are three words that can kill any dream before it leaves the ground: “As soon as …” As soon as I finish this course … as soon as I get noticed … as soon as I revise … as soon as I get a marketing plan in place … as soon as the kids are in school … as soon as I ride the glitter pony of creativity … and on and on.
Yes, it is helpful to have action steps that inform your forward motion, but for too many of us who want to do creative work, we’re waiting on something that isn’t really keeping us from our writing. Our real barriers are beliefs that tell us we have to wait for the right conditions, along with the false assumption that one day we’ll “arrive” at our goal of being a successful writer and the need to create will feel satiated.
Newsflash: those “right” conditions and that “perfect” moment are not coming.
Let me tell you, sometimes there is drama in the world of publishing. This week, that drama was not only jaw-dropping, but it proved this powerful truth for all of us struggling writers: if you keep reading and keep writing, there is hope for you as a writer. Read on...
The epigraph is simply a well-chosen quotation, set at the beginning of a text. Epigraphs can open essays, books, chapters of a book, or even each story in a book—any writing, really, which suggests its theme.
They can, however, do so much more.
After a short primer, just to get us on the same page with a working understanding of the epigraph, and a little confessional angst, you will have a couple of practice challenges to engage your new friends.
The next few months I’ve dedicated to finishing the book I’ve been working on for nearly two years. Inspired by Joe’s latest post, I’ve made the commitment to revise the second draft of my book.
I believe, though, the second draft is the hardest. Actually, it’s the worst. All the content of your book is sitting right in front of you like a huge slab of marble mined from your imagination, and you’re expected to take the formless hunk and turn it into Michelangelo’s David.
In finishing the second draft of three books and as I’m embarking on finishing this next one this fall, I’ve compiled these tips for the both of us. Here’s all I know about book editing and surviving the second draft.
How often do you find yourself writing . . . when suddenly, a rogue distraction interrupts you? You get a text. Or an email pops up in your inbox. You need to do some quick research to get this scene just right. Or you just have to check Facebook, Twitter, Instagram, just for a moment. And forty-five minutes later, you come back to your story to realize you’ve barely written a paragraph.
That’s where Freewrite, the world’s first smart typewriter, comes in. Enter to win Freewrite today!
The opportunity to offer criticism comes with undeserved power. As a critic, we put ourselves above the artist, providing our authoritative opinion on the artists work. The thing is, that’s not what every writer needs to hear.
Greetings, fellow writers. I’m tackling something deeply important today: three questions you must answer if you call yourself a writer.
Will you be chasing it?
Today is the first time in nearly 40 years that a total solar eclipse will be visible from mainland United States.  In other words, the moon will briefly block the sun in the middle of the day and Americans may actually be able to see it (with special glasses).
Endings are hard. Nobody likes to say goodbye, and saying goodbye in a story is especially hard. The pressure is on to get that last part just right. When there are so many possibilities for a conclusion, how do you know which one is right for your story?
