At The Write Practice, we publish a new article each day designed to help writers tackle one part of their writing journey, from generating ideas to grammar to writing and publishing your first book. Each article has a short practice exercise at the end to help you immediately put your learning to use.
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I want you to think back to your favorite book or television show. There may be many things that stood out to you about that story—the plot, the scenery, the outfits, the scope, or something else. There’s one aspect, however, that underpins all those things. One detail which, if missing, leaves your readers unable to really invest themselves in your story: relationships between characters.
I’m very excited to announce the launch of our newest book, Scrivener Superpowers, by M. G. Herron!
Scrivener Superpowers will not only change your approach to Scrivener, it will change your writing life. Learn more about the book here.
I’ve had the book On Writing Well: The Classic Guide to Writing Nonfiction by William Zinsser on my shelf since my pre-law school journalism days. That is, I’ve had it on my shelf for a while. I don’t remember who gave it to me, but I do remember how it made me feel.
It made me feel like I could be a better writer.
Almost all of the personality tests I’ve taken allude to my desire to be perfect. Perfectionism is the way I’m wired, and it has a huge effect on my writing.
When you can’t think of what to write, step away from your computer, and doodle. Yes, step away, and doodle. You heard me correctly. (Said in a kind gentle way.) Now, grab a pencil and a piece of paper, and start to doodle your way out of writer’s block.
Every author has had to tackle following question at some point, whether it be Shakespeare or J.K. Rowling: Are the heroes of my tale going to be of common stock or noble heritage? Will I create a lower class or upper class character? It has been a heated topic of debate since long before the Brothers Grimm ever picked up a pen, and it’s a debate that continues on to this day.
Did you see the first season of Top Chef? It was hosted by someone widely criticized for not bringing insight to food. That person was quickly replaced by renowned chef Padma Lakshmi. What about Food Network Star? Where contestants compete for their own show judge equally on their cooking and presentation skills?
The host change in Top Chef and the emphasis on descriptive skills on Food Network Star demonstrate how vital it is for these shows to be able to not just make food, but describe it.
Jack Kerouac wrote On the Road in less than a month. Ian Fleming’s first James Bond novel took only two months to write, and William Faulkner’s As I Lay Dying was written in six weeks, the same length of time it took Charles Dickens to write A Christmas Carol. Sir Arthur Conan Doyle’s first Sherlock Holmes novel, A Study in Scarlet, was written in just three weeks.
So why has it taken me over three years to write my book?!
I consider myself a writer. But there are a lot of days on which I don’t write anything more than a post on Facebook. Then there are days where I spend hours pecking away at the keyboard. But overall, I would love to write more, not less.
We all know some writers who are really disciplined. For example, Stephen King writes 2,000 words a day every day without fail. Why can’t I do this? What’s keeping me from writing? What’s keeping you from writing more?
We all know that transforming characters and a driving plot make for great stories. Something we discuss less is how contrasting ideals—and the conflict they create—can also enrich a story.
This week in the United States we will be celebrating the signing of our Declaration of Independence in 1776. Thinking on the ideal of independence has had me pondering how philosophical convictions play a role in our stories. If used well, they can enhance the narrative allowing the story to transcend the characters and become something more.
