At The Write Practice, we publish a new article each day designed to help writers tackle one part of their writing journey, from generating ideas to grammar to writing and publishing your first book. Each article has a short practice exercise at the end to help you immediately put your learning to use.
Check out the latest articles below or find ones that match your interest in the sidebar.
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Memoir is about something that happened in the past. You can write the story in the past tense. Or you can write the story in the present tense, as though it is happening now.
There is power in the present tense. Have you considered using it as you write about the past?
As a prose writer, I try to suss out where I can deepen and expand my stories, transform a limping clause into a sure-footed guide. Sometimes, as in the preceding sentence, I find metaphor to be the most efficient and evocative tool in my writer’s gym bag.
Metaphor, by conflating two unlike things—often an abstraction like love and a concrete object like a rose (thank you, Shakespeare)—invites readers to connect with our stories via the boundless power of imagination. Or, as James Woods says in How Fiction Works, “[m]etaphor . . . is the entire imaginative process in one move.”
In other words, metaphor helps our stories run smoothly, with steady footing across even the rockiest of terrain, bringing our readers to those stunning vistas seen only from mountaintops.
As I race for the NaNoWriMo finish line, I want to share a few tips with you to help you complete your own race. Starting a book might be easy, but finishing it—and meeting your deadline!—is a struggle. Whatever writing goals you’ve set for yourself, we can meet them together, fellow writers, and here’s how.
It’s Cyber Monday, and we’re sharing some awesome deals on some of our favorite things. Hurry, though—these great deals end tonight!
Pick up one of these incredible offers for the writer in your life. Or snag them for yourself—don’t worry, we won’t tell!
The end of the year is fast approaching, and here at The Write Practice we want to finish 2016 with a bang. Today, we’re kicking off the Winter Writing Contest, our LAST writing contest of the year.
It’s been a wild ride to the end of 2016. As writers, I want us to finish this year out strong.
What better way to wrap up the year than with a writing contest?
With the divisiveness we’ve experienced this election season, I thought we could all use an article about understanding one another. Studies have shown that reading stories allows us to be more empathetic. We learn all sorts of new things from reading and “meet” different characters we then come to understand through their thoughts and actions.
This happens naturally, but there are a few extra steps you can take to create more empathy in your writing that will not only help you understand your characters better, but will also help you to better understand the people around you.
We all feel like we should be writing well right off the bat. That what we create should be ready now, tomorrow, or maybe even yesterday. And when it isn’t, we beat ourselves up. It’s time to give yourself permission to suck.
Have you ever looked back on a piece of your writing and cringed? Not necessarily because of its quality, but because you realize you would write the story differently now that some time has passed. You realize you were impulsive in writing about a life-changing situation, that your views on the experience have changed after having the time to reflect.
As writers, we love to draw from our own real-life stories in our work. Whether in a memoir, a creative essay, or a blog post, we can be eager to document the experiences we go through. Let’s look at the power of personal experiences and the trick to writing about them effectively.
Characterization is one of the most important aspects of writing good fiction. Characterization is what gives authors the power to sway their readers. It’s how you get your reader to fall in love with—or despise—the characters in your book.
Let’s look at a characterization strategy that will pique your readers’ curiosity. I call it the Eyepatch Technique.
Do you listen to and trust your imagination? Become an improviser with your writing and learn to do so. Say yes to your story idea and don’t block your creativity.
To improvise means to create and perform (music, drama, or verse) spontaneously or without preparation; and to produce or make (something) from whatever is available.
Patricia Ryan Madson’s book Improv Wisdom shows us how to apply the concepts of improvisational theater to deal with real-life challenges. Today, I will look at how the concepts of improv can also apply to how we approach our writing.
