At The Write Practice, we publish a new article each day designed to help writers tackle one part of their writing journey, from generating ideas to grammar to writing and publishing your first book. Each article has a short practice exercise at the end to help you immediately put your learning to use.
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I am not a poet but I read poems regularly. Their succinct and succulent lines transform the way I see the world around me, fill my head with color and sound and taste and most important of all to me, emotion. And all without lots of words.
If you can’t quite say what you’re getting at, playing with metaphor-making may unlock your voice and expand your piece. And even if you don’t think you need metaphors for your writing, metaphor-making may unlock new ideas for you.
You have good taste. It’s why you got into this whole “writing” in the first place—you’re aware of good writing when you read it. Of course, this has both an upside and a downside.
The upside: you know good writing when you read it, so you know what you want your writing to be.
The downside: you know good writing when you read it, so you know your writing has a long way to go.
Today is the first of November. For many writers, that means one thing: National Novel Writing Month has begun.
One thing’s for sure: writing 50,000 words in 30 days takes a lot—a lot of dedication, of imagination, of perseverance. It’s important to know why you’re writing at all. Focusing on that reason for starting will help you power through when the writing gets hard and you’re tempted to quit.
There are hundreds of reasons to write a book in just thirty days. Today, though, I’ll focus on just one.
NaNoWriMo is a fun thing lots of writers do each year. In order to write 50,000 words in just 30 days, they write thousands of words every single day. Whether you’re writing a novel in a month or not, though, writing every day is actually a really valuable habit to develop.
Don’t believe me? Then check out these quotes from authors and bloggers, which will inspire you next month and beyond!
Writing a novel that appeals to a younger audience takes a certain amount of finesse – especially if you are no longer in that age bracket! It is not easy to venture into the minds of young adults and, essentially, “relive” your own past.
Let’s have a look at six essential tips from published authors when it comes to writing YA novels.
For successful writers, there are three main components you need to really write: productivity, creativity, and inspiration. Without any one of these three, you’ll find writing difficult, but when they come together, you will find your writing will be better and maybe even a bit easier.
The things you eat and drink can have a significant effect on your writing. If you’re lacking productivity, creativity, or inspiration, pick one of these writing-enhancing foods and drinks for a boost.
If you are planning on writing a story, there is something you need to consider besides basic plot structure. You need to determine your Inciting Incident.
What incident will compel your protagonist to act, prompting them to move through a meaningful story?
Let’s take a look at what an inciting incident is and how to write one.
The first time I took up the NaNoWriMo challenge, I lost my first two days staring at a blank scene. I’d write a paragraph and then delete it. I’d get a couple sentences into a chapter and then change my mind. My writing was a disappointing mess.
By the third day, I was already so far behind my goal, I realized I was never going to catch up. I stuck it out for two more weeks, but then, discouraged and frustrated, I quit.
The second time I tried the NaNoWriMo challenge, my experience was different.
One preparation secret made all the difference in helping me start off on the right foot and actually finish my book.
Do you struggle with screenplay structure? Especially sustaining momentum in that long second act?
When learning how to write a script, writers are overwhelmingly taught that screenplay structure is all about three acts. The problem with this three act formula, however, is that it often leads to writers running out of steam in act two as they try to fill it with “conflict.” This means act two becomes a series of disconnected events that aren’t really connected and seem to exist just for the sake of “things happening.”
This happens when screenwriters focus too much on traditional three act structure and ignore the building blocks underneath each act—sequences.
At some point, your life as a writer will turn upside down.
The problems may come from health issues, from financial strain, from emotional stress, from relationship trouble, from any and every corner. It may come from the 500th rejection from an agent, from an unwelcome review or critique, or from plain old writer’s block.
Wherever it comes from, whatever turns your writing life upside down, I want you to be ready.
