It’s kind of fun when words that refer to literary techniques have their origin in other disciplines. Take kinesiology, for example. I had several friends in college who were kinesiology majors, which means that they studied the science of human movement. That general idea of movement is also reflected in today’s new literary word: kinesthesia.
You know you’ve seen it at the end of a book, but what does it mean? What is an epilogue actually? Why not just call it, “Last Chapter?” Who thought up this word, “Epilogue,” anyway? And if you’re a writer, should you end you’re book with an epilogue?
So you’ve been handed a passage and have to find the main idea of a story. But you have no idea where to begin and it’s starting to look like one large block of text. Never fear! Today we’ll look at how to find the main idea of a story and why it matters for learning and writing.
Irony is one of those literary devices that you feel before you know how to talk about it. Irony is the difference between what you expect and what happens. But what does that mean and can you learn how to identify irony? Let’s learn about irony today.
As writers, we are always working to make our stories the best they can be. One of the more advanced techniques that can help you do this is by giving an underlying meaning in a scene—otherwise known as subtext.
In a story, subtext can be implied by the surface action and dialogue.
When you think about the books and stories that you most enjoyed reading, chances are that story’s scenes were woven with something deeper than what appeared on the surface.
Today I’d like to teach you seven simple techniques for using subtext in your story, which I’ll also teach with some subtext examples.
Whether you’re writing a book or a blog post, it’s tempting to just dive into your writing project. However, you will likely save yourself time and create a better end product if you settle on a solid premise before you start writing.
