Here’s a secret: I’ve never been explicitly taught not to split infinitives (or to not split infinitives?). Surprise!
If that statement’s a shocking pronouncement, or if it makes no sense at all, never fear. Let’s take a step back and look at the long, illustrious history of split infinitives.
You worked hard. You stayed up late, got up early, pushed through writer’s block, and finally, at long last, finished writing your book.
But after you write your book, what comes next?
English is full of words that seem the same, but have subtle differences in their spelling and usage. These tricky words seem designed specifically to trip you up. Recently, we tackled ensure vs. insure. Today, let’s take on another vocabulary conundrum: upwards or upward? Toward or towards?
Or does it even matter?
In real life, some folks love surprises and others hate them. But one thing is certain—in fiction, you need them to write a book readers can’t put down. One way to deliver is through a narrative hook. But what is a narrative hook and how can you write a hook to captivate readers?
Sometimes people confuse the latin term per se with per say, especially because they sound identical in everyday speech. Today’s writing tip clears up any confusion.
I love The Princess Bride. I saw the movie before I knew there was a book, but once I found out that a literary form of the story existed, I immediately checked it out from my high school library and devoured it. I found another copy at a clothing swap about two years ago, and it’s been sitting on my bookshelf ever since. I’m due for another reading soon, I think.
