Beginnings matter.
We only get one chance to hook our readers, to pull them in, to guarantee they must read on. That’s probably why so many writers panic over how to start writing those first few pages of a novel.
So how do you start a novel? Where is the best place to begin? Take heart, dear reader: in today’s post, I’ll give you three ways to start a novel, a bonus nugget about antagonists, and a key question to ask yourself before you get to work.
Almost any genre you might write in will include some kind of action scene, so it makes sense to learn how to do action well. Action does not always mean a car chase or a shootout, though these are time-honored examples. An action scene can simply be a place in the story where the pacing increases and the movement is external, rather than internal.
Nobody likes writing the middle of a story. Not only is the middle of a story the part where writers usually quit, it’s the part where readers quit too! The middle of a story can often feel unfocused, slow, or predictable. Sometimes even published and respected stories can feel like they lose their sense of direction and purpose in the middle.
But your story needs to be told. You need to start and finish it with confidence. And the way to write an amazing, page-turning middle to your book lies in answering three essential questions.
Opening scenes are just hard. Figure out how to start a story right and you capture the reader, set the tone, and propel the story forward. Do it wrong, and you risk losing a reader. Here’s one opening to avoid: the empty stage setting.
How many times have you heard someone say a character in a movie or book felt “flat” or cliché? As writers, we want to create strong characters our readers will fall in love with. We don’t want readers to be bored or roll their eyes at the people we’ve created. Today we’re talking with romance author Callie Sutcliffe on how to develop characters readers care about.
Most of us try to avoid hard things. We have traffic apps to help us steer clear of wrecks and construction on the roadway. We espouse slogans like “work smarter, not harder.” We love hacks, apps, and tips to make most anything easier or more comfortable.
But what if the hard thing is the best way to become the people we want to be? What if we’re avoiding the very thing that holds the key to our growth?
Sometimes as writers, we let our characters settle for the easy life. What is the default state for your main character? Where is he most comfortable? You’ve got to get the character out of that state as quickly as possible.
