At The Write Practice, we publish a new article each day designed to help writers tackle one part of their writing journey, from generating ideas to grammar to writing and publishing your first book. Each article has a short practice exercise at the end to help you immediately put your learning to use.
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I have a book in mind to start writing. For three years now. I read advice that tells me “just start writing.” And still I don’t start. Because this advice isn’t working for me, I’ve had to come up with some other techniques to power through my paralysis. See if one of these might help you get started on a new work.
We all know the adage “write what you know.” It’s good advice. It’s a solid approach to relatable characters and descriptions that feel real.
But when it comes to themes, this is not good advice. When it comes to themes, write what you don’t know. In fact, it’s one of the best paths to a key element of great fiction: complexity.
It’s one of the first creative writing lessons we’re taught: use all your senses. I remember sitting at my desk in second grade with a fun pack of Skittles while the teacher told us about how we needed to use our eyes, ears, noses, mouths, and hands to describe them.
Good things supposedly come in threes, right? Whatever your numerical fave is, grab all your literary vitamins because today’s Theme of the Day is STRENGTH.
Do you like your characters strong or weak? Powerful or vulnerable? Invincible or a push-over?
The answer lies, as in so many things, on the golden middle path.
Have you ever tried to write about a personal tragedy or painful experience? How did it make you feel? What complications arose?
Last week I asked you what you think the basics of writing well are, and today, I thought I’d ease into the subject of how to write well by talking about the five biggest pitfalls that are hurting your writing.
As the The Write Practice implies, we write (and read) to become better writers. But what other unexpected activities can help boost our imagination? Read on for a few new ones to try!
I just started reading The Perks of Being a Wallflower, having already seen the movie and feeling that I would like to do the work justice by also reading the book. I’m maybe 20 pages in and I can already tell that Charlie, the narrator and protagonist, has a lot of feelings. To be fair, he’s also undergoing some pretty intense stuff, so that’s understandable, but it seems like he’s very in tune with his emotions. One might say that he seems like he’d be a Feeler in the context of the Myers-Briggs type, but you’d have a skewed idea of what Feeling actually is.
Getting through that first draft is one of the toughest part of writing—and one of the most important. I’ve often felt while drafting that I’m not so much writing as much as I am weathering my way through it. No matter how carefully I set my sails, there’s inevitably...
How do I become a better writer? Nearly every day people email me questions like this. The questions come from the most unlikely places, from fourteen year old aspiring novelists, from corporate and government leaders who want to help their colleagues hone their writing skills, even from people trying to improve their English.
“Practice,” I often tell them. But what do you practice? What are the basic skills you need to learn to write well?
