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At The Write Practice, we publish a new article each day designed to help writers tackle one part of their writing journey, from generating ideas to grammar to writing and publishing your first book. Each article has a short practice exercise at the end to help you immediately put your learning to use.

Check out the latest articles below or find ones that match your interest in the sidebar.

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12 Top Tips for Writers from Publishing Insiders

12 Top Tips for Writers from Publishing Insiders

Well, friends, we’ve come to end of our “How to Write a Children’s Book” series! Over the course of many posts, we’ve talked about defining your target market, creating a brand, the realities of making money and if self-publishing or traditional publishing is a better path for you. 

My hope is this series has helped learn a bit more about the what to expect as a writer in this business, as well as clarify some of the more confusing aspects of the industry. 

For my final post, I reached out to several of my friends and colleagues in the publishing industry to ask them what insider advice they’d give to our aspiring children’s book authors.

Setting Writing Goals: How to Set Goals and Finish Your Book

Setting Writing Goals: How to Set Goals and Finish Your Book

Have you ever had a great book idea, or started a story but failed to finish it? Did you try setting writing goals to finish your story, but couldn’t keep up with your giant ambitions?

Did failing to meet your writing goals end in your giving up?

Goal setting is not as straightforward as it seems. Bad goals reinforce bad habits. If you want to become a writer and finish your writing projects, you need to set goals that you can meet—while also pushing you to complete your writing projects.

In this article, you will learn the two types of goals every writer can set and accomplish. You’ll also learn four major reasons every writer needs to actually finish their writing projects—along with tips on how to do this.

4 Engaging Ways James Baldwin Captures Emotion

4 Engaging Ways James Baldwin Captures Emotion

Recently my publisher recommended I read the novel “If Beale Street Could Talk” by James Baldwin.

Baldwin is known by many for being a political writer during the Civil Rights movement, but what struck me about Beale Street was how he conveyed this emotion. He does such a great job making me feel Tish’s love, desperation, etc. throughout the book such that I found myself thinking, “how did he do that?”

How did Baldwin so successfully evoke emotion in Beale Street? Here are some of the answers I came up with.

When It’s Time to Start Over

When It’s Time to Start Over

How many of you have been writing for a while? This article is for you—though if you’re brand-new, this will eventually apply to you, too. Ahem. There will come a day when it’s time to start that story over from scratch.

Discover Who Your Character Is With This Quirky Writing Prompt

Discover Who Your Character Is With This Quirky Writing Prompt

There are several ways to reveal who your character is in a story: through how they dress, their posture, and through what they value. But the best way to determine who your character is is through their action.

Not sure what your character might do? Put them through the Starbucks Character Test.

How to Use Three-Act Structure to Write a Story Readers Can’t Put Down

How to Use Three-Act Structure to Write a Story Readers Can’t Put Down

Ideas always feel fully formed in our minds. But when we sit down to put them into words, the struggle begins. Ideas don’t just morph into narrative form. They resist our efforts, and soon the process of storytelling becomes torture.

Thankfully there are strategies you can use to overcome the stubborn nature of an idea and successfully rise to the challenge of writing a great story.

And one of the best strategies you can use is the Three-Act Structure.

Situational Irony: 3 Steps to Surprise Your Readers With Ironic Twists

Situational Irony: 3 Steps to Surprise Your Readers With Ironic Twists

So, you’ve figured out how to write a story that works. You know you need a character, in a setting, with a problem. You know you need a series of try/fail cycles, followed by a climactic scene and the resolution. The structure is simple, but it’s not always easy.

In particular, it can be challenging to sustain and escalate the story’s momentum through those try/fail cycles. And it would be nice to have something that could give your story a delicious ribbon of flavor, instilling brilliance and meaning.

Here’s the good news—there is such a technique. It’s called situational irony, and in this article, we’re going to take a look at what it’s made of and how to construct it in your own work.

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