At The Write Practice, we publish a new article each day designed to help writers tackle one part of their writing journey, from generating ideas to grammar to writing and publishing your first book. Each article has a short practice exercise at the end to help you immediately put your learning to use.
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Writing is hard enough when you’re writing action scenes and plot twists. It’s even harder when you have to write an emotional scene, especially if it’s one that comes from your own experiences. We’re talking with romance writer Michelle Dalton to find out how she deals with choosing to write from the heart.
Whether you love the genre or loathe it, romance novels can teach you how to connect emotionally with your reader.
For me, spring is an incredible time of unbounded energy and enthusiasm … and with it, an inevitable spurt of creativity. Sometimes it seems my pen can hardly keep up with them.
But winter? Oof. Winter’s dark cold days can make it harder to get out of bed, let alone muster up the will to write.
But whether Punxsutawney Phil foresees a swift end to the madness or another six weeks, don’t let the season hold you back. Here are some of my favorite writers’ quotes to warm your creative spirit and keep you going through this sometimes dreary season.
Fear is the base element of horror. Fear is also the base element of all other stories. Fear of failure, fear of being abandoned, fear of change, fear of giant spiders invading your basement . . . it’s all horror in the end.
Learning to be one with that fear and to use all five senses to describe it will help you uncover the deepest feelings of your characters, whether you’re writing a horror novel or a YA romance.
Writing a great story is hard. Every author worth his or her salt knows this from painful experience. And if you’re setting out to write something worthwhile, you’re going to encounter failure along the way. But that doesn’t mean you’re a failed writer.
Despite the temptation to give up or run away from writing again, you have to keep going. You have to keep writing.
Because the reward waiting for you is priceless. Not only that, the reward can only come from failure.
And it’s the ingredient that will make your story a must-read.
It’s that time of year again. The newness and hope of a fresh start has worn off and if you’re like me, old habits beckon like a warm blanket. Whether you are still holding firm on your resolutions, didn’t make any, or have already abandoned your “new year, new you,” the challenge of resolutions provide a host of ideas for writing.
How do you create characters that resonate with readers, stirring their emotions and rousing their empathy? That’s the goal we all share as writers, right? What if there were a way to combine psychology and writing to make your characters come alive on the page?
To build characters that strike a chord within readers, you need to craft someone who feels realistic, someone your readers can relate to because their motivations and behaviors are modeled on the way real people think and act.
The New Year is upon us, and if you’re like me, you have all kinds of ideas about what you want to conquer in 2019. Now that you’ve had some time to mull over the goals you’ve set for yourself, it’s time to consider how you’re going to accomplish them in the best way possible. I have a few tips for creativity to help you start the year off well.
Point of view is the vehicle that drives a story. Get it right, and your novel hums along smoothly and your reader never notices.
Get it wrong, however, and your book becomes an unbearable clunker rife with confusion.
Shawn Coyne, author of The Story Grid, has read a lot of critically acclaimed and successful books, and noticed something about their point of view. All of these books used a specific style of narration, and you can use it too.
It’s a new year! New goals! New motivation!
But what happens when an ER visit derails me, a work project explodes and requires far more time than I planned, or I experience some other plan-busting interruption?
Too often, I have an all-or-nothing attitude toward change and progress. If I’ve eaten off the plan for one meal today, I’m far more likely to make unhealthy choices the rest of the day, week, and month. How can I short-circuit this negative thinking pattern and abandon all-or-nothing thinking to get more writing done this year?
Writers’ conferences can launch a career. They bring writers face to face with authors, agents, editors, publishers, and other writers at all skill levels.
But they can feel overwhelming for the uninitiated. With all the offerings, how does a writer navigate a conference to get the most from it?
