At The Write Practice, we publish a new article each day designed to help writers tackle one part of their writing journey, from generating ideas to grammar to writing and publishing your first book. Each article has a short practice exercise at the end to help you immediately put your learning to use.
Check out the latest articles below or find ones that match your interest in the sidebar.
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Subtext is the underlying message in a scene. In The Godfather, when Don Corleone says, “I’m gonna make him an offer he can’t refuse,” we know someone (and a horse) is in serious danger. When I tell my kids, “I’m gonna make you an offer you can’t refuse,” I probably mean “Do your chores or I’ll shut down the wifi.”
Same statement, different subtext.
Last week, nearly four hundred writers submitted their stories to the Summer Writing Contest. Right now, our panel of judges is reading through each story, looking for the ones that will make it to the winners’ circle. And while they’re hard at work, I have an invitation for you, too.
Come vote on your favorite to win the Readers’ Choice Award!
Today’s topic won’t be a comfortable one. I’m going to address an issue I’m pretty sure you don’t want to hear—but by the time I’m done, you’ll be armed, better prepared, and stronger than you were. And what is this uncomfortable topic? Self-doubt.
No matter what you do, your doubt as a writer will never go away.
All Twitter posts must consist of 140 characters or less. And a “story” is defined as “an account of imaginary or real people and events told for entertainment” or “an account of past events in someone’s life or in the evolution of something.”
Let’s fill Twitter with stories!
I feel the chains pull me down as I sink into the dark. Fighting it with fear pulsing through me till despair claims my heart, I can’t get out, I can’t move, I’m trapped in depression. Writers and depression: not a good combination.
Hey everyone. I’m back, and it’s been two more years since my post on self-doubt. Two years, but I’ve been writing so I guess it’s a victory of sorts. However, it has been the hardest thing to keep going.
I’m a full-time writer with no English degree. (I’ll tell you a bigger secret, I actually don’t have a degree at all.) And after doing this for a few years I’ve realized that you don’t need an English degree to become a writer.
I’ve been writing for The Write Practice for about two and a half years. I started as an amateur and recently launched my own writing business. So really, I am the poster child for how you really CAN make it.
(I’m still not completely sure how I made it, but I’m going to spend the next couple posts sharing what I did and how you can make it as a writer too!)
There are stories published in books, and stories that have never been published. There are stories that have been read by more people than live in Kansas* and there are stories that have been read only by you, the writer. Don’t compare yourself to others.
There are also stories that have never been written. Stories only you can tell.
Fiction or nonfiction, the stories you write are unique to your experiences and your creativity. But if you compare yourself to others, you might never write them.
In the short time that I’ve been a writer, I’ve learned a valuable secret that we writers don’t discuss often: a writer is only as good as his or her editors.
Receiving feedback and accepting criticism and edits isn’t easy. No one likes being told what they are doing wrong, especially when the thing being criticized is something we’ve poured our heart and soul into it. When I first started writing, I hated getting edits. Now I pursue edits and editors with vigor.
My family moves a lot. Beginnings are often stressful, disorienting things, while endings might be joyous, grief-filled, and everything in between. Funny how stories are like that too. It’s often so difficult to know how to begin a story or how to tie it up at the end. Why are beginnings and endings so hard to do well in writing and life?
As writers, no matter what our goals are, there is something we should all strive to do: make our readers feel. Whether that feeling be hope, happiness, fear, or any number of other emotions, it can be achieved through masterful writing.
That is easier said than done, though, right? How can we turn our words into something so real, it gives the reader a punch to the gut or brings a smile to their face?
