At The Write Practice, we publish a new article each day designed to help writers tackle one part of their writing journey, from generating ideas to grammar to writing and publishing your first book. Each article has a short practice exercise at the end to help you immediately put your learning to use.
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There are several ways to reveal who your character is in a story: through how they dress, their posture, and through what they value. But the best way to determine who your character is is through their action.
Not sure what your character might do? Put them through the Starbucks Character Test.
Ideas always feel fully formed in our minds. But when we sit down to put them into words, the struggle begins. Ideas don’t just morph into narrative form. They resist our efforts, and soon the process of storytelling becomes torture.
Thankfully there are strategies you can use to overcome the stubborn nature of an idea and successfully rise to the challenge of writing a great story.
And one of the best strategies you can use is the Three-Act Structure.
So, you’ve figured out how to write a story that works. You know you need a character, in a setting, with a problem. You know you need a series of try/fail cycles, followed by a climactic scene and the resolution. The structure is simple, but it’s not always easy.
In particular, it can be challenging to sustain and escalate the story’s momentum through those try/fail cycles. And it would be nice to have something that could give your story a delicious ribbon of flavor, instilling brilliance and meaning.
Here’s the good news—there is such a technique. It’s called situational irony, and in this article, we’re going to take a look at what it’s made of and how to construct it in your own work.
The use of AI has prompted a discussion about how we develop writing from story ideas to various types of content—even research papers.
But can AI help writers craft compelling stories?
When we read books, books with characters we love, we can learn how to write our own characters by studying what details the writers included. There are so many details about your characters you could include in a character description, but which ones do you need?
Let’s look at the advice Stephen King gives in his book On Writing: A Memoir of the Craft about good description and see if applies to Katniss Everdeen in The Hunger Games and Harry Potter in Harry Potter and the Sorcerer’s Stone.
It's hard work to write an entire book. However, you can make your writing process a lot easier if you commit to writing a book outline before you tackle the actual writing. But what if you're resistant to writing a book outline? Maybe you're afraid that you'll dread...
Many aspiring writers believe that once they finish and publish the book, the money will just roll in without any further action or plan! In fact, every time I visit a school to share my books, I can count on one bright-eyed first grader raising their hand to ask, “Are you rich?” This question make makes me smile in an “if you only knew” kind of way, because this is the truth: Most financially best-selling and successful authors have multiple income streams across their author platform.
You are in a business—the book business. Let’s look at some of these income streams and how you might make money writing books as a full-time author.
Names — character names or the names of people in real life — are a big deal. Parents-to-be pore over baby name books for months looking for that “perfect” name. Even naming a pet can take time. You want the name to be perfect, to mean something, to be unique but not too “weird.”
Naming a character, especially in a longer piece of writing, can be just as agonizing and is definitely just as important.
When someone asks you, “How are you?” how should you respond? Should you say, “I’m good,” or, “I’m well?” Which is correct grammatically: good or well.
Since “how are you?” became a standard greeting, the use of good vs. well has been hotly disputed. Let’s straighten this confusion out.
Can book writing software replace an editor? Nope. But it can help you improve your grammar and readability.
You were born to tell stories and share your message with the world. But you sit down to type and something terrible happens. Your fingers misspell things. Verbs switch tenses as you type. Nothing works quite like it did when it was still just a compelling idea in your head.
You reread and catch a few errors, but what if you’ve reached the end of your grammar prowess? Need some book writing software to help improve your writing?
